- Secularism, autonomy and the loss of self 21/03/2017
- How I became a societal misfit 18/03/2017
- The distinguishing marks of the impossible 15/03/2017
- Minor Theological Footnote to a Good Series on BioLogos from Snobelen and Davis 12/03/2017
- Why robot? 11/03/2017
Category Archives: Music
Little time to blog this week, as I was doing marathon production sessions of the material recorded by my band The Rock Section last week. It’s a covers band, so nothing original to hear, but I was quite please with the results. A sample here, and if any one’s still interested after that, full tracks here. Back to biology in the near future.
The demise of this great traditional fiddler was not unexpected, after a long history of emphysema and a double lung transplant, but still sad.
Well, if I failed to get published on theology and biology in the academic world, I had a minor success in the Cambridge alumni magazine CAM this week with a piece based on an article I sent them last year on the Cambridge University Folk Club, which at one stage, back in the age of dinosaurs, I ran. You can find the magazine online here, and we’re on page 39. Oh yes – and since we’ll all be busy over the weekend, remember that Christ has died; Christ is risen; Christ will come again.
I found myself astonished by the sheer scale, and immediacy, of media outpouring over the death on Monday of David Bowie. I don’t know what it was like elsewhere in the world, but from the first “We heard half an hour ago…” on the non pop-culture BBC Radio 4, pretty well the whole radio output of the day seemed to be replaced by every available media person’s appreciations, however trivial. Here was the BBC news: “I’m sorry to have to cut short your thoughts on tomorrow’s national doctors’ strike, but you’ll appreciate that in the light of David Bowie’s death this specially extended programme…”
News being slow at the moment, I thought that for light relief I’d link to a video someone’s posted on YouTube of part of the set I did at Lyme Regis Folk Festival last weekend. After all, the song Pentadactyly arose from discussions about the pentadactyl limb both here and on BioLogos.
On a light note, I just want to record a small personal record over the weekend. I played music at 5 gigs and in 4 different genres on 7 different instruments within one 24 hour period. Nearly 8 hours on stage in all. Not bad for an old man. Lucky I had that early-morning pizza before the start. It somehow reminds me of Phil Collins playing Live-Aid on both sides of the Atlantic.
Thursday saw the passing of one of the great acoustic guitarists of the world – and one of the formative influences on my more limited technique.
I heard yesterday of the sudden and tragic death of a young friend of mine. In 2003 she played flute on one of my songs, which I attach here as a tribute to Claire’s memory.
Not much blogging this week, because I’ve been trying to do an arrangement for massed saxophones of Carl Orff’s totemic opening to Carmina Burana, O Fortuna. It rather tickles my fancy how it contrasts with the last arrangement I did, Driving in My Car by the ska band Madness. The idea was to have some kind of cosmic fanfare for a gig we’ve booked at the end of this year, to accompany the switch-on of our town’s Christmas lights. As you’ll hear from a clip of the original, it might require burning the whole town down to do it proper justice:
Still on arty-farty stuff, particularly uncritical Hump devotees may be interested to hear that my new album (in somewhat folk idiom), which has been slowly evolving since early summer, is finished and posted as a free stream or download on my main website here.