Genesis, genre and Paul Simon

A recent documentary on the making of Bridge Over Troubled Water. Paul Simon talks about writing Cecelia. I’ve always thought this was a great song with a fantastic groove, but with uncharacteristically tawdry lyrics which I found vaguely embarrassing. Why would far-from-simple Simon write a typical “adolescent sex” song? And then Simon has a throwaway line: “St Cecelia is, of course, the patron saint of musicians.”

And suddenly it falls into place, after 40 years – it’s not a song about the traumas of adolescent lust at all, but about the fickleness of the creative muse. It’s part of a small but distinct genre: “Laments of Songwriters Seeking Inspiration”. This genre also includes another of my more esoteric favorites, (Further Reflections) in the Room of Percussion  by the quintessentially English psychelic cult band, Kaleidoscope. Amusingly, a comment on the YouTube clip says this is probably about a bad LSD trip. But Peter Daltry, the writer, was never fuelled by anything stronger than Bulmer’s cider and said in an interview that it was about fruitless songwriting sessions at his friend’s house.

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Philosophy and the ship of fools

Here’s my last comment (for now at least) on Gordon & Dembski’s The Nature of Nature. The last chapter is by William Lane Craig, who starts uncontroversially enough by noting the decline of scientific naturalism in philosophy. He catalogues the ascendancy of positivism and verificationism in the field throughout the middle of the twentieth century, and particularly notes the influence of A J Ayer’s book, Language, Truth and Logic. In this Ayer developed (though he didn’t invent) the concept that any sentence not subject to empirical verification is simply meaningless.

Thus any statement dealing with “God” is not simply untrue, but devoid of any significance. Craig indicates, and there seems no reason to doubt him, that such considerations more or less excluded any metaphysical discussion during this period within philosophy. Science became the arbiter of truth in this field as in so many others.
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There Ain’t Half Been Some Clever Bastards

Another set of artistically-minded visitors this weekend, and another trip to our nearest Jurassic coast village and its small art galleries. For my wife and I another look at nice stuff we can’t afford, and probably wouldn’t if we could because we’d only come back next time and want something else. There aren’t enough walls in the house.

It never ceases to amaze me how much variety and ingenuity is on display in such places. There are dozens of different visions even of the local landscape, but beyond that a plethora of approaches to interpreting reality, to representing the human form or to abstract expression. Photographic realism, hazy impressionism, bold colour, subtle taste, quirkiness, humour, brooding solemnity… somebody’s putting all these and more into their art somewhere, and moreover producing a thrill of empathy when someone like me or you sees it.

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How much does the Modern Synthesis explain?

This  is a thought-provoking review article by Jonathan Bard of Oxford on both James Shapiro’s Evolution – a View from the 21st Century  and Transformations of Lamarckism: from Subtle Fluids to Molecular Biology edited by S.B. Gissis & E. Jablonka, which is a historical assessment of Lamarck and his intellectual successors. Those of my acquaintances who struggled to understand Shapiro will be comforted that Bard agrees you need a biology degree to make much sense of it.

After succinctly describing the Evolutionary Synthesis in classical population genetics terms, Bard says this:

The enormous amount of molecular information that has emerged during the last couple of decades is making us review this story, partly because we now know that the relationship between the phenotype and genotype is not as simple as previously assumed, partly because the genome is a richer, more complicated world than the scientists who put together the modern synthesis could ever have supposed and partly because there is data that does not fit comfortably within the synthesis. Continue reading

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Nothing in biology makes sense…

Announcements on the making of a new film about the Scopes Trial of 1925, Alleged, got me thinking about the history and mythology of evolution. The popular version is that since Darwin nothing has made sense in biology without evolution, despite the more entrenched parts of the Church, who were feverishly working away to develop Creationism and persecuting people like Scopes.

Anyone who knows some of the history has heard that by the end of the nineteenth century  Darwinism was actually in some disarray under the influence nof Mendel’s genetics, aretreat it only really overcame with the advent of the Modern Synthesis in the 30s. Continue reading

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More Multiverse musings…

My last-but-one post reminded me of Eugene Koonin’s invocation of the multiverse to explain unlikely events such as the development of DNA replication. In my first post on this I hinted at some absurdities inherent in this idea, in that one ought to expect far more instances of unlikely events than we see if all things are possible in an infinite many-worlds multiverse. Blow the irreducibly complex biology – where are the unicorns and spontaneous transmutation of lead to gold?

Nevertheless, one might conclude that a more mainstream view of the multiverse (if “mainstream” has any meaning in gauging pure speculation) could still help explain highly contingent events. After all, if the weak anthropic principle can be invoked to explain fine tuning, why not the low probabilities emerging as problems in evolutionary events?

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More gleanings from “The Nature of Nature”

There’s a chapter in the Gordon/Dembski magnum opus by Howard J Van Till, called Cosmic Evolution, Naturalism, and Divine Creativity. Of Van Till, the book says: “His books in the 1980s… played a powerful role in moving evangelical higher education to accept theistic evolution over against creationism.” So it’s clear that he is the source to which we need look for much of the theology of the BioLogos school of thought.

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If you need a miracle, why not do it twice?

I’ve been wading through the recent tome edited by Bruce Gordon and Bill Dembski, The Nature of Nature. It’s a tour de force indeed, though every reader is bound to find whole areas of discussion where their eyes glaze over from incomprehension. That’s no bad thing if it reminds us how little we know even when we think we’re well educated.

So far, the piece that’s intrigued me most is Fazale Rana’s essay on molecular convergence, simply because I was unaware of the extent of this (and, of course, because I actually understood it, which helps). What most unsettled me was his drawing our attention to the confusing origins of DNA replication. Continue reading

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Y-Abdullah and Mitochondrial Yvonne

There’s a Dennis Venema article, and thread, over on BioLogos about Y-chromosome Adam and Mitochondrial Eve. It’s mainly factual and not particularly controversial, but has attracted a lot of discussion. That’s pretty much exclusively because it corrects claims on the Reasons to Believe website that this genetic work confirms the existence of a single couple as progenitors of the human race. For the reasons why this isn’t so, it’s a good article to read.

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Conformity allowed, not intelligence

ID blogger and fellow BioLogos commentator Bilbo has linked to a blog by a chap calling himself Scootie Royale, defending the Ben Stein film Expelled. The Bilbo/Scootie link appears to have little to do with ID and everything to do with the fact that they are both 9/11 Truthers. This subject (which hardly registers with me at all) is the main subject of Scootie’s blog, and his interest in ID only seems to have developed as a side issue. Maybe he read Bilbo’s blog.

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